July 29, 2009
So there’s this dude in South Jersey named Dayve Hawk making blissed out yet subtle electronic jams under the monikers Memory Cassette, Weird Tapes and Memory Tapes. I’m super into his shit, namely because it calls to mind one of my favorite acts of the moment: Air France (Acephale Records label mates to boot). I was lucky enough to pick up the Memory Cassette EP before it sold out, but dude posts a bunch of MP3s on his blog, so you might be able to find the songs there: http://weirdtapes.blogspot.com/
Check out a couple tunes. Try not to geek out to “Bicycle” in your headphones Seriously, just try.
Memory Tapes – “Bicycle”
Memory Cassette – “Sleep on the Roof”
Memory Cassette – “Asleep at a Party”
July 29, 2009
This is just nutters:
July 29, 2009
The past five years have seen Mos Def earn more acclaim for his appearances on the big screen than for what he’s put on wax. Hardcore fans had reason to believe that Mos had left his only indelible mark on the game with his solo debut Black on Both Sides, released a decade ago. Counting myself amongst this constituency, I had long resided to the fact that Both Sides would be his opus, a plateau that couldn’t be approached again.
After a five-year hiatus, Mos Def returned in 2004 with The New Danger, a rock/rap hybrid that introduced his house band The Black Jack Johnson. The release polarized critics and confused fans. Further perpetuating the public perception that he had traded music for film was the 2006 release, True Magic, a mailed-in, lethargic effort that was later waved off as a contractual obligation to his then-record company, Geffen.
Now, just when you thought it might be safe to exhale and move on from Mos’ rap career, dude fires back with The Ecstatic, the album fans have been patiently anticipating for a half-decade. A true return to form, The Ecstatic finds Mos spitting with the old-school bravado and incisive social commentary that made him a Rawkus star.
Immediately noticeable is the strength of the production, which features moody tracks from J Dilla and Stones Throw mainstays Madlib and Oh No (Madlib’s younger brother). The beats on The Ecstatic have a worldly feel to them, particularly “The Auditorium,” which could have been borrowed directly from a Bollywood soundtrack and “The Empire,” which sounds plucked from a Middle Eastern market. The production is less straightforward than the boom-bap of Both Sides, but no less neck snapping. In fact, the more the listener is willing to engage in the beats, the more one is able to appreciate Mos Def’s ability to ride the track with his flow, adding a rhythmic element unto himself. This is no more evident than on the instantly catchy “Quiet Dog,” on which Mos dishes a dose of braggadocio over a swing bassline and relentless soul clap. “History,” another standout, features Black Star cohort Talib Kweli, and almost, if only for a moment, brings it back to 1998. “Ten years ago we made history so they missing us,” declares Kweli, only to be followed by Mos who warns, “Don’t call it comeback in particular,” if only to quell any high hopes. With The Ecstatic, Mos Def has achieved just that, a comeback. And with a new Kweli/Hi-Tek single on the airwaves, we’re allowed to at least cross our fingers, aren’t we?
July 28, 2009
A little late to the game, but I recently noticed the prevalence of BNE stickers around the city. Apparently these stickers have covered major cities around the world including Hong Kong, San Fran, and Tokyo. For a better explanation, let’s turn to ABC’s Nancy Weiner:
And I always find Japanese television hilarious, so:
July 20, 2009
July 19, 2009
Stealing some thunder from my co-conspirator by posting first, but I’ve been loving the track by the xx. The remix is just as sick. Definitely going to catch one of the shows in the city.
And yeah, it’s been a while since we posted. We suck.
Anyway, enjoy the vid.
Basic Space (Remix by Pariah)